Designed specifically for vocals, the plugin makes it easier to achieve consistently-balanced vocal tracks.If you don’t have an automated mixer with flying faders–or a capable mix engineer with impeccable timing–Vocal Rider is the next best thing. In particular, it is inspired by the two versions of the Universal Audio 1176LN–the “Blacky” and the “Bluey”–both of which are equally revered.The Blacky and the Bluey are Class-A line level limiting amplifiers known for their extremely fast attack.
Its flexibility and ease of use are second to none, and the transparency with which it transforms pitches will likely make you a true believer.Abbey Road Studios is ground-zero for some of the most important developments in music and recording technology. For Tom, the plugin sounds exactly like the originals, and it is regularly put to good use for vocal and guitar processing.Ethan Mates is another longtime 1176 user who finds the CLA-76 equally satisfying. What you get for the price are loads of very usable tones, with every detail of their hardware counterparts meticulously modeled.PRS SuperModels is the product of Waves’ own Precision Analog Component technology. Bungle delights in the plugin’s easy navigation and dependable results. Honest Gear Suggestions for Home Studio Owners and Music ProducersIn this case, Brighter’s sole knob intelligently adds a treble boost to the signal. 617 Followers. Compression was also used to achieve a similar effect, although this frequently results in unnatural sounding tracks.Waves Audio Vocal Rider essentially acts as an intelligent fader rider, adjusting levels without the need for automation. The six floating parametric filters can be adjusted to a remarkably precise degree. Waves’ own advanced analog modeling algorithm is sweetened with a tasty drive control, providing signal-shaping capabilities rarely seen in the digital world.Producer and engineer Ross Hogarth had to dig in a bit to see what the fuss with H-Reverb was all about. But you could certainly use it for other audio material if you wish, particularly for anything that you want to make bigger and ballsier.The “CLA” in Waves CLA-76 stands for Chris Lord-Alge, the noted mix engineer and producer under whose name the CLA line was marketed. From pro producers to mix engineers and even home studio hobbyists, everyone has a use for the NS1.

The transparent way it evens out volume levels negates the need for heavy-handed compression, which often compromises audio quality.Users also like not having to draw in automation curves anymore, which is a tedious and painstaking process. Film score mixer Alan Meyerson said of Waves' technology, "[it has] changed the sound of film scores. Dave uses the plugin to thicken up live vocals and to create multi-voice textures.The plugin is also used by noted producer and musician Butch Vig, who remarked on its ability to simulate the classic sounds on Beatles records. The Waves PuigTec EQs make a bold effort at approximating the sound of the hardware units and seem to have largely succeeded. Thom Russo, who has engineered for Michael Jackson, among others, has found it an effective solution for altering harmonic content in a pleasing manner.Other users have found the Brighter to be useful for adding ‘sparkle’ in a way that EQ plugins cannot achieve. But the F6 has a full set of features with capabilities that many other EQs wouldn’t be able to touch. The company also manufactures hardware signal processors, although its software plugins remain its most popular products.Waves actually released the first commercially-available audio plugin, the Q10 Paragraphic Equalizer. The result is an exquisite playing and listening experience that is as close as you could get to the real deal.Of course, Grand Rhapsody provides a good amount of control over shaping the sound. The secret to this is the intelligent noise suppression feature that differentiates noise from desirable audio material. It ranges from big and bold cleans to various flavors of overdrive, with a lush reverb to top it off.Alex Skolnick of thrash band Testament and the Alex Skolnick Trio definitely knows amps.

Best of all, you don’t have to take out a second mortgage on your home to afford it, nor do you have to deal with a temperamental piece of equipment that will take up half your studio space.The master bus compressor of the original SSL4000G console serves as the inspiration for the Waves SSL G. The plugin will replicate the sound and frequency response of the original SSL4000G, particularly with regard to its input and amplifier sections. The resulting resonant shelf gives audio material the characteristic presence that the hardware EQP-1A is famous for.The MEQ-5 is no less capable. Audio passed through them comes out extraordinarily punchy and powerful, making them ideally-suited for drum buss processing. These are modeled after tape formulas developed in the 1960s and 1970s by EMI.The J37 plugin has found favor among countless users, from professional producers and mix engineers to home recording enthusiasts.

Put all its various other functions to use, and the F6 could be one of the most useful plugins on your bag of tricks.The cleverly-named PuigTec EQs draw from an impressive lineage, having been inspired by the legendary Pultec EQP-1A. The result is a broad range of tones, colors, and textures, from the vintage to the out-of-this-world.Charlie Judge, a musician, arranger, and composer who has worked with Carrie Underwood and Keith Urban, is absolutely smitten with the Electric 88. But the way it adds a nice meaty punch to audio tracks is undeniable. Chances are, you will like what you hear.The Waves F6 is an ultra-precise dynamic EQ that can solve a long list of audio-related issues.

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