“Unveiling was a long psychological process.”Minutes after Alinejad was born, in a small village in northern Iran called Ghomikola, her parents covered her hair. “I could not show my face because of my family,” the woman had written alongside the photo. Masih Alinejad Associate Professor: Professor Alinejad teaches in the Theatre Program at CAS, as well as in Literature. Join Facebook to connect with Masih Alinejad and others you may know. An expert on theatre history, she has written extensively on seventeenth- and eighteenth-century drama and performance. As the Islamic Republic feels threatened by the activism of Masih Alinejad, founder of #MyStealthyFreedom and #WhiteWednesdays campaign, it has targeted her family to silence her. With caution, Alinejad is working to expand the campaign.
From a closet she began to pull out dresses that she wears now.
Masih Alinejad, Associate Professor in College of Art and Sciences at Ohio University. It all started last May, when Masih Alinejad posted to Facebook a few old pictures of herself without a headscarf in different locations around … “Yet I am not even free on my own roof.”In a matter of days, My Stealthy Freedom became a genuine phenomenon in Alinejad’s home country and outside of it, drawing more than 778,000 fans to this date and initiating one of few open conversations about the veil, a sensitive subject even activists are hesitant to raise. She had sent a film of herself on a flat-roofed building, thrusting her waist-length hair into the air.
Alinejad told Kayhan Life that her brother and mother, as well as a family friend had been targeted by the government for supporting her campaign to reverse the compulsory hijab law in Iran.
Photos continued to pour in—from women pressured to wear the veil by both their families and the state; from secular women who had long opposed the veil; from men sending in pictures of their unveiled mothers or wives—often accompanied by poignant testimonies about the restrictions of the veil.It’s an emotional terrain Alinejad knows intimately, having gone her first sixteen years without removing her headscarf, not even in her sleep. Last summer, a new photo or video came in every minute.
They publically called her a spy, and an online army began to send her daily hate messages. In the address she delivered in Geneva, before United Nations delegates, journalists, and human-right activists, Alinejad praised The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com.The best new culture, style, and beauty stories from Vogue, delivered to you daily. On her computer, she pulls up a picture, showing only the back of a woman’s head.
The photos are taken in public, often under signs that urge women to cover their hair, and away from the eyes of morality police.
An expert on theatre history, she has written extensively on seventeenth- and eighteenth-century drama and performance.
“I like to be feminine these days,” she said, flashing two red frocks, one knee-length, the other ankle-length. Though she was eager to unveil, she still couldn’t bring herself to do it. She slipped her feet into a pair of black pumps and took long strides, fiddling with a gray scarf around her neck: the old headscarves that once concealed her hair she now wears as accessories.Alinejad pointed to a bed in the corner where she naps during the day; to bridge the time difference with Iran, she works on My Stealthy Freedom late into the night. “My father took this photo at the Persian Gulf and urged me to share it with the women of my country. “I did not know the meaning of human rights at the age of seven, but it angered me that my brother, just two years older than me, could dash out of the door any time he wished, ride a bike, and swim in the river, but I, as a girl, was banned from doing all those things,” she said. “I used to wake up in middle of the night and touch my head to see if my scarf was there,” said Alinejad, whose father required her to wear tent-like head-to-toe garb in addition to the headscarf and coat required by law.
In London, she discovered that her hair was curly and chaotic—the veil had tamed and flattened it—and she began to secure it on top of her head with a rubber band, spreading the curls on both sides of her head, in a style that her young son compared to a Christmas tree.In time Alinejad remarried and, last year, moved to Brooklyn with her new husband, who is Iranian-American. “If it had slipped off, I would find it in the dark and cover my hair before falling asleep.” Alinejad remembers yearning for the relative freedom enjoyed by her older brother. “I still remember the temptation of wanting to peel off my clothes like my brother and jump in the river.”Despite the admonitions she received at home and at school, where a cleric regularly warned female students that if they showed their hair they would go to hell (and be hanged by their braids above a blazing fire), Alinejad began to experiment with removing her scarf. Alinejad started anti-hijab movements, such as My Stealthy Freedoms, which resonated in Iran in … On the afternoon that I met her at her apartment, she scurried up a set of stairs to a space in her attic where she has stitched together pieces from her past and present.
The brother of activist Masih Alinejad is being prosecuted in Tehran to “pressure” her to end her campaign against the compulsory hijab, she said in a press release calling for his release.
In 2005, Professor Alinejad published Four Restoration Libertine Plays (Oxford UP); additionally, she has edited The Cambridge Companion to English Restoration Theatre (Cambridge, 2000) and, with J. Douglas Canfield, Cultural Readings in Restoration and Eighteenth-Century English Theatre (Georgia, 1995). Thank you Roya Hakakian for this very thought-provoking article. Professor Alinejad teaches in the Theatre Program at CAS, as well as in Literature. — Masih Alinejad ️ (@AlinejadMasih) January 22, 2020. By the age of sixteen, despite the objections of her father, Alinejad had shed her Cut to 2007, more than a decade later.
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