We use Google Analytics, a web analytics tool provided by Google, for data analysis purposes, Shopify, a commerce platform provided by Shopify Inc., in the billing and management of our online store, Odoo, a software provided by Odoo SA, for invoicing purposes, Putler by Leap Ventures, Inc. for customer relationship management purposes, and Artsy and Arternal as our CRM tools.We may need the services of specialised IT companies in order to improve our website, including features related to the collection and processing of personal data; in such case, the IT company shall access to the personal data collected and processed by our IT systems. Portugal and EU residents will pay VAT on their purchases.For international orders, additional fees may be charged by the companies that provide services for us: FedEx and TNT.Orders are delivered using FedEx and TNT and we put all our efforts in taking good care as they are art items and fragile goods.

When you visit our website, we may collect information from you automatically through cookies or similar technology.Our website uses cookies to remember you and distinguish you from other users of our website in order to offer increased functionality. We try to display the colours accurately, but we are not liable for any non-conformity between your computer or device’s display of the colours and the real colours of the physical artwork.Underdogs – Comercio e Produção Artigos Decorativos, Lda. All copyrights belong to their respective artists.If you have a belief that any content on our store infringes your intellectual property, let us know at Please note that by placing an Order, you are purchasing the physical artwork only and this does not give you any rights under copyright or related rights over that artwork. ")He works all over the world — Europe, Asia, in this country Las Vegas, Chicago, Miami, San Diego — and Cincinnati. The Hit (Frears, 1984) Twelve Angry Men (Lumet, 1957) The Thin Red Line (Malick, 1998) The Testament of Dr. Mabuse (Lang, 1933) Bad Timing (Roeg, 1980) Such information was obtained with your consent as you provided it to us. We recommend you to be informed of their policies. The wear and tear of his buildings show some history. This privacy policy does not apply to those websites and we are not responsible or liable for the privacy practices of those websites.We may introduce changes to this privacy policy from time to time. Represented by: Portugal: Galeria Vera Cortês France: Galerie Danysz | Paris China: Danysz Gallery | Shanghai Hong Kong & USA: Over the Influence gallery Germany: Galerie Henrik Springmann Italy: Studiocromie Spain: Delimbo Editions: Underdogs. Platow says he's driven by, "this whole notion of what has to be removed in order to have new things." your details and personal interests, as long as you are a user, and if you have questions or claims in relation to our services, we will keep it for such period.We put our efforts in order to develop our site and make it secure for our visitors and users. He studied at the Byam Shaw School of Art in London.

Alexandre Farto aka Vhils (1987) has developed a unique visual language based on the removal of the surface layers of walls and other media with non-conventional tools and techniques. Either you’re visiting us just for once or you intend to come back, you must read our privacy policy.We are Underdogs – Comercio e Produção Artigos Decorativos, Lda. A message of love that speaks of how sorry you are and the support you can give will always be appreciated. Special conditions may apply to our gift cards and in such case, we would advise you to read those terms and conditions before purchasing it.
Now on view until 15 June at Danysz gallery Send. Check your Inbox . Indeed, Vhils’ message is one he conveys not only in the work itself, but also in the very act of its creation. We will try to only collect the data that is necessary to carry out our business and provide you personalised content.When you register at our website, contact us, subscribe to our newsletter, place an order at our online shop or simply interact with us, we will collect information from and about you, as your name, contact details, e-mail, phone, address, country, VAT and ID information, age, gender and personal interests. His artwork is a trademark to him alone, with the artist using industrial methods and processes such as explosions to create his portraits. We cannot access third parties’ cookies.When you are linked from and to our third parties’ websites, you must consult those websites’ cookie policies and practices as our cookie policy does not apply.Cookies are essential for the functioning of the Internet, featuring several benefits to companies that provide services online. Vhils lives and works in London and Lisbon.He gained prominence when his work of a face carved into a wall appeared alongside a picture by street artist Banksy at the Cans Festival in London in 2008. Orders are delivered using FedEx and TNT and we put all our efforts in taking good care as they are art items and fragile goods. It seems that Vhils views his art, like the city itself, as “a living organism that evolves by means of creation and destruction.”“Fragments Urbains” at Le Centquatre and “Décombres” at Galerie Magda Danysz both run through July 29, 2018 in Paris.

Vhils has stated that though he starts with an idea of what he is trying to create, ultimately, as he told Vhils’ obsession with this theme of transience may also be the source of his innovative technique and prolific nature.

If you would like to place an order you are required to be registered with a user account.You must be 18 years or older to use our store yourself and place orders.By visiting and/or registering at our website, the collection and processing of your personal data are governed by our privacy policy, so please give it a read.If there are any problems with your order we shall notify you by email or telephone.
The exhibit’s 30 or so pieces are spread across a series of rooms, each showcasing a different technique, such that visitors are able to move through each room and immerse themselves in one medium at a time as they take in pieces made with wood, carved posters, acid painting, and engraved metal.A few kilometers away, at the Galerie Magda Danysz, Vhils has created a “project room” that complements the Le Centquatre exhibit, offering visitors another opportunity to learn about Vhils’ art and how it’s made.


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